Sir Henry Neville
Dates:
c. 1562 – 1615
Background:
On his father’s side, Neville was directly descended from Ralph de Neville, 1st Earl of Westmoreland, who appears on stage in Henry IV and Henry V; Ralph’s son, the 2nd Earl, is on stage in Henry VI part 3; many other Nevilles appear in the Shakespeare history plays.
His mother was the niece of Sir Thomas Gresham, the great merchant, and founder of the Royal Exchange and Gresham College.
Baptised and lived at Blackfriars in the building that later became the Blackfriars Theatre, and at Billingbear Park, about six miles from Windsor.
Educated at Merton College, Oxford, where he studied classics, including Latin and Greek, astronomy, and mathematics, under his tutor, Sir Henry Savile.
Toured Europe for four years with Savile and others, including Robert Sidney (brother of Philip Sidney, the poet). They visited France, Germany, Bohemia, Poland, Vienna, Venice, Verona, and Florence. They met astronomers, mathematicians, philosophers, and researched Greek and Latin manuscripts.
On the death of Sir John Gresham (his mother’s uncle) in 1579, Neville inherited an ironworks and a country home in Mayfield, Sussex, which had belonged to Archbishop Cranmer (who gave it to Henry VIII). Neville lived at Mayfield from c. 1585–1593. He manufactured and exported cannon, selling the works when he was appointed ambassador to France in 1598.
He inherited Billingbear in 1593. He was responsible for the royal forest and hunting grounds near Windsor.
Katherine Killigrew, his wife Anne’s mother, was one of the famous classically educated Cooke sisters.
Neville was related to Francis Bacon and Robert Cecil.
Famous for:
Neville became a popular hero after his imprisonment in the Tower (1601-1603), along with Henry Wriothesley, Earl of Southampton, for his part in the Essex rebellion. He was, in effect, leader of the Opposition in the House of Commons from about 1607 until his death. He was a candidate for Secretary of State after Robert Cecil’s death.
The Case:
Neville’s life parallels the accepted course and chronology of Shakespeare’s works. In particular, scholars have long been puzzled by the great change in Shakespeare’s writing around 1601, when he revised Hamlet and then wrote the other great tragedies and problem plays. While this accords with nothing in Shakspere’s life, it can be read as a response to Neville’s traumatic imprisonment (James & Rubinstein, 2005).
Neville’s library books are preserved at Audley End House, to where they were fortunately removed by the Neville family before fire destroyed Billingbear in 1924. Many of the books are annotated with notes relevant to Shakespeare plays, including The Comedy of Errors, The Taming of The Shrew, Titus Andronicus, Romeo and Juliet, Much Ado About Nothing, Julius Caesar, Henry V, Twelfth Night, Hamlet, Macbeth, Coriolanus, Anthony and Cleopatra, Pericles, Cymbeline, and The Winter’s Tale. Other unmarked books in the Neville library are sources for The Two Gentlemen of Verona, A Midsummer Night’s Dream, and As You Like It. The volumes include Ovid, Plautus, Horace, Tacitus, Appian, Petrarch, Ariosto, Erasmus, de Montemayor, and Castiglione. One example is a 1580 edition of Orlando Furioso, by Ariosto, printed in Venice. This is a recognised source for Much Ado About Nothing. As Neville was in Venice in 1581 it seems reasonable to presume the book was bought there by him and brought back to England. It has many passages underlined, showing it was read throughout. Cairncross (1976) stated the evidence shows that Shakespeare read Orlando Furioso in the Italian.
In 1583, “Neville, distinguished for his learning” (according to a poem of that year by Richard Edes), was at Durham with Walsingham and Essex on a diplomatic mission to Scotland.
In 1595, Neville attended the Garter Ceremony at Windsor castle where he had lodgings. This experience and his knowledge of Windsor is consistent with his possible authorship of The Merry Wives of Windsor.
For almost all of Neville’s adult life he served as a J.P. and as a Member of Parliament. He was Ambassador to France in 1599-1601.
Neville’s knowledge of falconry and hunting, forestry, farming, astronomy, law, politics, geography (including France, Italy, Windsor), languages, ancient Greek theatre, Roman history, poetry, music, the recruitment of soldiers, ships and sea voyages, munitions, cannon, metallurgy, and lapidiary match what we find in Shakespeare’s works (Casson, Rubinstein, and Ewald, 2018).
His life experiences can explain the development of Shakespeare’s writing. For example, many early plays are set in places in Italy which he visited during his travel, Venice, Padua, and Verona; Henry V takes us to France with scenes in French at a time that Neville went as ambassador to France and wrote letters in French; Measure for Measure with scenes in prison and the threat of execution was written at the same time that Neville was recovering from the trauma of imprisonment with the ever-present threat of execution; the title of the next play, All’s Well That Ends Well, could reflect the celebratory mood Neville might have felt after his release; Coriolanus and Timon of Athens are meditations on Jacobean politics in which Neville was deeply involved; The Winter’s Tale, with its father-daughter themes and climactic wedding feast, was written the year two of his daughters were married.
As a senior investor in the Second London Virginia Company, Neville had access to the Strachey letter which was a source for The Tempest.
Burgoyne (1904, xvi) suggested that Neville was the original owner of the Northumberland Manuscript, dated to 1596-97, which identifies William Shakespeare as the playwright of Richard II and Richard III before they were published as by “Shake-speare” in 1598.
Neville left notebooks, letters, and documents. It has been argued that his handwriting is similar to Hand D, the only manuscript believed to be by Shakespeare (Casson & Rubinstein, 2016).
Worsley MSS 47 (held in the Lincoln Archives) is a copy of Leicester’s Commonwealth and is in Neville’s own handwriting. Dated c.1585, it predates the Shakespeare history plays and is a possible source for them. There is evidence of a bias favouring members of the Neville family in the history plays (Bradbeer & Casson, 2015).
Neville owned a lute and grew up in a household where music was important, indeed a household where at least one composer lived. Neville’s stepmother’s maid married Thomas Morley. He composed the music for It was a Lover and his Lass, a song in As You Like It. Morley was a pupil of William Byrd, who gave a book of keyboard music to Lady Neville in 1591. The initials HN are on the first page (probably for Henry Neville, Neville’s father). The manuscript was completed in Windsor. At the time, Lady Neville was living at Billingbear near Windsor. Sonnet 128 shows Shakespeare was familiar with keyboard music.
Neville’s handwriting and habits of annotating books suggest that he was the annotator of the Halle’s Chronicle which was discovered in 1940, a source for the history plays (Keen & Lubbock, 1954; Casson, 2010: chapter 4).
John Fletcher and Francis Beaumont gave a play manuscript (A King and No King) to Neville before Shakespeare started co-writing with Fletcher. They all attended the Mermaid Club (Gayley, 1914). In 1615 Beaumont wrote what may be a cryptic reference to Neville’s funeral “at Windsor” in the same sentence as a reference to Shakespeare (Rubinstein, 2012: 146).
Neville was admired by Ben Jonson, who wrote an epigram celebrating him. Jonson was resident at Gresham College (founded by Neville’s mother’s uncle) when he edited the First Folio.
Henry Wriothesley, the Earl of Southampton, was imprisoned with Neville in 1601-03. He wrote a manuscript defending Richard III’s reputation, in which he said the king had been defamed in plays. He dedicated this to Neville (Bradbeer & Casson, 2015: Appendix A). Shakespeare dedicated his long poems to Southampton; Neville had known Southampton since he was a boy, and they became political allies, with Southampton being described as Neville’s “champion” by John Chamberlain in 1612 (McClure, 1939: vol 1, 387).
Three poems by Neville have been discovered, one a signed manuscript. Ben Jonson, John Chamber. and George Carleton referred to the Muses in relation to Neville. Chamber and Carleton indirectly refer to theatre.
In his letters. Neville used Shakespearean vocabulary (Sawyer, 1725; Casson & Rubinstein, 2016: 115, 131).
Henry Killigrew was Neville’s father-in-law, and he was one of the government editors of the 1587 edition of Holinshed, Shakespeare’s main source for the history plays. Neville knew Ralph Newbery (1535-1608), the printer of Holinshed. In 1603, Newbery purchased the manor of Wolfines in White Waltham from Neville. While still in prison, Neville reminded himself to “write to Mr. Newbery” (Berkshire Record Office: D/EN/F45/1-2.) He needed to raise money to pay the heavy fine imposed on him. Both are buried at Waltham St. Lawrence.
There is evidence of connections between Neville and two of Shakespeare’s publishers: Thomas Thorpe and William Jaggard. Southampton’s Encomium of Richard III, which he dedicated to Neville, was eventually printed in a collection of Essays of Certain Paradoxes in 1616 by Thomas Thorpe, who had published Shake-speares Sonnets in 1609. The date of publication of the Encomium, 1616, is one year after Neville died. A copy of this edition is to be found in the Neville library at Audley End House. The printed version is based on Southampton’s version, including virtually all the additions he made to the text. The fact that the version printed by Thorpe is that given by Southampton to Neville is evidence of a connection between Neville and Thorpe because this unique manuscript must have been the source. A copy of Thomas Milles’s, which was annotated by Neville between 1610-12 (he referred to Prince Henry being alive and he died in 1612) is also in the library at Audley End. This book was printed by William Jaggard, who was the printer of The Passionate Pilgrim (the first volume to include Shakespeare sonnets) and both the False and First Folio of Shakespeare’s plays. Neville’s copy of A Catalogue of Honor seems to have been a proof copy (the picture of James I was printed upside down). Neville was carefully correcting the text and suggesting cuts. Some of his suggestions were indeed picked up by the editor because there are printed slips of these corrections pasted into another copy of A Catalogue of Honor to be found in the British Library (BL 608.1.4). This then is evidence of a possible relationship between Neville and Jaggard in 1610-12 (Casson, Rubinstein & Ewald, 2018).
Five independent researchers have found the name “Henry Neville” encoded in various ways in the dedication to the 1609 Shake-speares Sonnets and in the sonnets themselves. This was how Neville’s authorship was discovered (James, 2008; Leyland & Goding, 2018). Neville used similar codes in his diplomatic letters.
Neville’s secrecy and discretion: Described as “discreet” by John Davies of Hereford in his Microcosmos of 1603, Neville hid his authorship of a political document until forced in Parliament to reveal it (James 2011, 16-50; Casson & Rubinstein, 2016: 48-50). He was imprisoned for not telling the government what he knew about the Earl of Essex’s plans before the rebellion.
William Herbert, 3rd Earl of Pembroke, was Neville’s chief backer in the Privy Council during his last years as an MP trying to negotiate with James I. William and Philip Herbert, 3rd and 4th Earls of Pembroke, patrons of the First Folio, became patron and mentors of Henry Neville’s oldest son, Henry, and grandson, Richard. In December 1628, the Earl of Montgomery (Philip Herbert), appointed Henry a gentlemanof the privy chamber in extraordinary. Moreover, following his death, Pembroke purchased the wardship of Neville’s son (Casson & Rubinstein, 2016: 37).
References
Allen, G. (2013) The Cooke sisters, Education, piety and politics in early modern England (Manchester, Manchester University Press)
Bradbeer, M. & Casson J., Sir Henry Neville, Alias William Shakespeare: Authorship Evidence in the History Plays (Jefferson, North Carolina: MacFarland, 2015)
Cairncross, A. S. (1976) Shakespeare and Ariosto, Much Ado About Nothing, King Lear and Othello, Renaissance Quarterly Vol 29, No 2, pp 178-182, University of Chicago Press
Casson, J., Much Ado About Noting, Henry Neville and Shakespeare’s Secret Source (Tatcham, Berkshire: Dolman Scott, 2010)
Casson, J. & Rubinstein, W. D., Sir Henry Neville was Shakespeare: The Evidence, (Stroud, Amberley, 2016).
Casson, J., Rubinstein, W. & Ewald, D., Our Shakespeare, Henry Neville 1562-1615 in My Shakespeare: The Authorship Controversy, Leahy, W. D. (ed), (Brighton, Edward Everett Root Publishers Co. Ltd. 2018)
Gayley, C. M., Francis Beaumont Dramatist (London: Duckworth, 1914)
James, B. & Rubinstein, W. D., The Truth Will Out: Unmasking The Real Shakespeare (Harlow: Pearson Longman, 2005)
James, B., Henry Neville and the Shakespeare Code (Bognor Regis: Music for Strings, 2008)
James, B., Understanding the Invisible Shakespeare (Bognor Regis: Cranesmere Press, 2011)
Keen, A. & Lubbock, R., The Annotator (London: Putman, 1954)
Leyland, B. & Goding J., Who will believe my verse? The Code in Shakespeare’s Sonnets (Melbourne, Victoria, Australian Scholarly Publishing, 2018)
McClure, N. E. (ed) The Letters of John Chamberlain (Philadelphia: The American Philosophical Society, Memoirs XII, part 1, Vol 1, 1939).
Rubinstein, W. D., Who Wrote Shakespeare’s Plays? (Stroud: Gloucestershire: Amberley Publishing, 2012)
Sawyer, E., (1725) Memorials of State in the Reigns of Q. Elizabeth and K. James I Collected from the Original Papers of the Right Honourable Sir Ralph Winwood, 3 Volumes, London: T. Ward
Links for further information
Sir Henry Neville: David Nash Ford’s Royal Berkshire History
Books for further information
The Truth Will Out: Unmasking the Real Shakespeare, Brenda James and William D. Rubinstein, 2005
Henry Neville and the Shakespeare Code, by Brenda James, 2008
Enter Pursued by a Bear: The Unknown Plays of Shakespeare-Neville, by John Cassson, 2010
Much Ado About Noting: Henry Neville and Shakespeare’s Secret Source, by John Casson, 2010
Understanding the Invisible Shakespeare, by Brenda James, 2011
Who Wrote Shakespeare’s Plays?, by William D. Rubinstein, 2012
Sir Henry Neville, Alias William Shakespeare: Authorship Evidence in the History Plays, by
Mark Bradbeer & John Casson, 2015
Sir Henry Neville was Shakespeare: The Evidence, by John Casson & William D. Rubinstein, 2016
“Our Shakespeare, Henry Neville 1562-1615,” by John Casson, William D. Rubinstein, and David Ewald, Chapter 5 in My Shakespeare: The Authorship Controversy, William D. Leahy, editor, 2018
Who will believe my verse? The Code in Shakespeare's Sonnets, by B. Leyland and J. Goding, 2018